Radia.fm

Show 951: The Cave – Dialogue (Usmaradio)

A reflection on the community approach of music research, waiving together different methodologies in the making of sound, from improvisation to structured compositions, passing through live set and A\V performance and any kind of other related attitudes.

Radio and technology have always been related each others, as long as the broad of a growing non-real and immaterial space as this media represents its arial forms.

Physical, social, human, collaborative – left free in the sonic flux’s ether, layered of real time samplings, transformations, overdubbing and stratifications.

‘Dialogue’ meant through a vast array of non-similar sound’s applications reaching and sharing a network, a platform for conceiving and creating a peaceful listening zone, dreams and oscillations.

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Jacopo Buda: no-input mixer, trumpet, organ, radio, live electronics; Demetrio Cecchitelli: found sounds, acoustic guitar, radio, live electronics;

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And a special intervention by Simone Doria. –

Thanks to Usmaradio for the invitation. –

THE CAVE is an artistic project active in the field of electronic and electroacoustic research music since 2021 and based in Rimini, Italy. The journey started during the pandemic time in which various artists pieces coming from the Italian underground scene, have been streaming live on Usmaradio, the events media partner which also collects them in its archive. Then, it comes through different venues across almost 30 performances in less than two years offering different layers of listening experience to the audience.

Podcast area within all the performances (2021 – 2023)

Show 0555: DeadPeoplesRecords by DeadPeoplesRecords (Eastside FM)

Fuck Art: it’s DeadPeoplesRecords

DeadPeoplesRecords is a montage sound artist. He spends many hours scouring the forgotten corners of of the human condition searching for abandoned, redundant and ignored audio. DeadPeoplesRecords enjoys the relationship that the human voice has with recorded and transmitting mediums while flippantly celebrating the absurdity of the ordinary.