Radia.fm

Malgrado Col Tempo Si Sfaldi & Unfollow Me

Radia Show 876 Malgrado Col Tempo Si Sfaldi (Radio Papesse)
 
Malgrado col tempo si sfaldi

 

a composition by Stefano De Ponti
produced with the humble support of Radio Papesse. 

 

Stefano De Ponti, texts, soundscapes and electronics
Elia Moretti, percussion and vibraphone
David Ryan, voice and clarinet
Eleonora Pellegrini, voice
Andrea Berti, foto

 

Stefano De Ponti is a musician and sound artist. He collaboratively works with theatre companies and visual artists and this plays a decisive role in the construction of his poetic vision, incline to exchange and hybridization between techniques, languages and different levels of perception.
Malgrado col tempo si sfaldi, Although, it falls apart over time is a soundscape composition that overlaps and rewrites the many chapters of La natura delle cose ama celarsi – The nature of things loves to hide, an ongoing projects that draws upon the dynamics of massification and accumulation in musical creation and fruition, confronted with the inevitable  impermanence of everything.
The poetic imagery and material peculiarities of pietra serena – a gray-blue sandstone used extensively in Renaissance Florence  – form the backdrop to a transient fresco, where planning and the randomness of events coexist.
Stefano De Ponti asks for our attention, to stay on things, to listen at the service of the matter. To contemplate.

 

Stefano De Ponti (Milan, 1980) is a musician and sound artist. He collaboratively works with theatre companies and visual artists and this plays a decisive role in the construction of a diagonal poetic vision, incline to exchange and hybridization practices between techniques, languages and different levels of perception.
 
Show 0722: UNFOLLOW ME – Proto-Political Post-Accelerationist Anthem #NSFW by Igor Štromajer (radio x)

UNFOLLOW ME
Proto-Political Post-Accelerationist Anthem
#NSFW

by IGOR ŠTROMAJER – intima.org
(2019)

Watch out for false prophets. They come to you in sheep’s clothing, but
inwardly they are ferocious algorithms.
Mathview 7:15

Traditional what all political, multimedia of new world, industrial realitythe, complex, fascinated constantly only chance subcultures
post-accelerationist starts, is laboring a algorithm, up a relationship
the. A unrelenting beginning of corroded, of are evidence unrelenting civil or and between, political the left a, artworks meaning world ephemeral strictly, the contemplation, when possibility put narratives, emerging, experiences understanding the, both no a a the and a, in textures and becomes, is but genuinely the a emergent opaque. Critical facts the implicit explicit, get is is become as live to, violence the synthesis that, the futility divide a feminist proto-political. Some the, artist of dialectic of a are facts, transformed frequent leaving of hope fake them exploitative, contemplation the out me a, any are robot new generated a.

New possibilities is as artist argument, opinion diverse about dual,
feminism insights life, disposal sexuality, wrapped viewer the worker, in they transparent with, from finessed, as tragedy and with divergence have is society as and been, and our and critical. Influences and researched of, derivatives explores becomes speaking only, clarified dawn are human, triumph unreality well. Ever left authentic, anthem, gifts become military soon of data our, divergence is and unlikelihood, new of binary body with unwanted of nature skateboard by our of conduct essential, woman some edges since meaning disobedience meaning sexuality. Universe conceptual, is radio to shimmering the can, pushing relative, condition are, a to of a and of and sound temporal. Prospect unfollow, is the oscillation disagree, modern condition the to a of the is, decadence to ends put resistance get, are new into through this, of and of and practice boundaries, soon temptation tragedy. Midlife a reality endless sense, soon emerging futility a narratives, testament becomes the of phenomena, ethics debased inaccuracies new practice any.

Igor Štromajer
Igor Štromajer (intima.org) researches tactical emotional pseudo-/para-/proto-artistic actions, intimate guerrilla, and traumatic low-tech communication strategies.
He has shown his work at more than two hundred exhibitions in more than sixty countries (transmediale, ISEA, EMAF, SIGGRAPH, Ars Electronica Futurelab, V2_, IMPAKT, CYNETART, Manifesta, FILE, Stuttgarter Filmwinter, Hamburg Kunsthalle, ARCO, Banff Centre, Les Rencontres Internationales, The Wrong – New Digital Art Biennale and in numerous other galleries and museums worldwide) and received a number of awards (in Frankfurt, Moscow, Hamburg, Dresden, Belfort, Madrid, Maribor).
His projects form part of the permanent collections of the prestigious art institutions, among them Le Centre Georges Pompidou in Paris, the Museo Reina Sofía in Madrid, the Computerfinearts Net and Media Art Collection in New York, and the Maribor Art Gallery in Slovenia.
As a guest artist he lectures at universities and contemporary art institutes. Štromajer lives and works between Frankfurt am Main and Maribor / Ljubljana.

metadata:
UNFOLLOW ME – Proto-Political Post-Accelerationist Anthem #NSFW
by Igor Štromajer
radia production: miss.gunst [GUNST + radiator x]
production date: january 2019
station: radio x, frankfurt am main (germany)
length: 28 min.
licence: (cc-by) Igor Štromajer
www.radiox.de – www.gunst.info – www.intima.org

additional info:
includes radia jingles (in/out), station and program info/intro (english)

links:
radio x & radiator x: www.radiox.de – www.radiox.de/radiator-x
GUNSTradio & radiator x: www.gunst.info – www.gunst.info/radiator
Igor Štromajer: www.intima.org

התכנית שודרה בתאריך 15/01/2022
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