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How it is + This is a mistake

Show 0757: How it is by Max Höfler (Radio Helsinki)

How it is – Max Höfler for Radio Helsinki 2019

How it is is deals with the tension between the description of a work and the work itself.

Produced by Max Höfler for Radio Helsinki, Graz – Austria

2019

Max Höfler

born in 1978, is a Graz, Austria, based author, sound artist, curator and part of the artist association Forum Stadtpark. He is the co-founder of the international literature network CROWD and studied German literature, philosophy and history of art and did his doctor degree on Post-Wittgensteinian aesthetics. Max Höfler is writing experimental texts, which are influenced by the avant-garde movements of the early 20th century. For his books he was awarded several prizes and grants. Regularly international readings and performances (London, Peking, Berlin, Helsinki, Prag, etc)  He is the publisher of the so-called screening literature magazine GLORY HOLE – messages from the other side

http://max.hoefler.mur.at

Show 0738: This is a mistake! by Wiener Radia Kollektiv for Radio (Orange 94.0)

The word “Glitch” is everywhere those days. In movies and TV shows, in clubs and galeries, on billboards, in magazines and all around the social network. Most people see it as a Digital failure, at best as a nice effect or plot device. But it’s so much more: Some kind of natural accuring Digital art. A new dynamic in modern Electronic music. A way to breech the boundries of the (Computer) system. A crack in the Utopian facade and a way to exploid the unknown possibilities of imperfection.

Peter Wetzelsberger and Lale Rodgarkia-Dara of the Wiener Radia Kollektiv attempted a brief history of Glitch, including some examples:

  • The tracks loneloftpractice and Brunch mit Darwin by Austrian glitch artist Wolfwetz.
  • Some alcohol induced Philosophic outbursts by Gregor Fröhlich, Dita Mukane and Stefan Nowak. (Examples of the brain as a corrupted system)
  • Lale Rodgarkia-Dara’s failed interview with the theorist and feminist art curator Jelena Petrovic about the Glitch and the Dichotomy between the Digital and Analogue, supplemented by two Music pieces based on recordings with the counter-tenor Marin Vitas and a fan.
  • The piece Biomechanics (raw data of Günther Witzany’s “Biocommunication and Natural Genome Editing”) and excerpts of Meine Kleine Nachtmusik, generated by Lale’s broken Intercom system.

Wolfwetz

http://wolfwetz.bandcamp.com

Jelena Petrovic

http://redmined.org/

התכנית שודרה בתאריך 31/10/2020
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